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Picasso Baby Pt. I

Pablo Ruiz y Picasso, also known as Pablo Picasso (25 October 1881 – 8 April 1973), was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, who spent most of his adult life in France. As one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubistmovement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore.

In Memphis on April 12 #206PicassoBaby endeavored a major feat by presenting an event that sought to capture Picasso and maybe to a lesser degree Jay-Z’ penchant for prolific artistry. Orchestrated and spearheaded by Speak Life Society founder Timothy “Urban Thoughts” Moore working in conjunction with other local artist 206PB was designed to provide an “ARTIST FREESTYLE” event as a platform to Memphis’ most vibrant, thoughtful, creative artists in the city.

I just want a Picasso…

Picasso Baby, is also the title of the Jay-Z song that reestablished the collaborative relationship Jay and Timbaland and the anchor for the game-changing Magna Carta Holy Grail album (http://en.wikipedia.org/wiki/Picasso_Baby). If I didn’t get an indication on what to expect from the use of the name Picasso (Pablo), Picasso Baby definitely drew several from the part of me that relates to urban artistry and artists and what 206PB hoped to achieve.

Perhaps the desire to bring something rare or what is the desire to expose something familiar to a broader audience? The desire to up the ante? Do something new, different, unique? Another creative way to market artists? To showcase the talent of Memphis to Memphis in a new format? To seamlessly blend sight and sound, taste and smell, touch?

In the opening lines to the Picasso Baby song Jay, HOV, Hova, Mr. H-to the Izzo, nee’ Shawn Carter proclaims “I just want a Picasso” and then throughout the song progresses from wanting a million to wanting a trillion. The event seemed to follow the blueprint of seeking more opulence as well. Please allow me to explain…

Let’s say that 10 artists on a non-festival bill is a million. Ten artists in one night for $10 general admission might be a showcase, at the very least, and up line yes part of a festival line-up… So 10 is the million, the base line… Following that logic let’s say 20 artists on a non-festival show is a billion… And 30+ artists, of varying genres, various calibers, some with multiple talents on a non-festival show, in one night well yeah that’s a trillion folks! The winner’s circle, the ultimate… Right?

Ok, for the sake of argument, for the dissenters, the nay-saying naybobs, and those that will call me a hater (oh how I despise that word and it’s colloquial use… grrr) let’s say that is an oversimplified extrapolation of an event that many talented people invested their heart, spirit, soul, blood, sweat, tears, and finances into… The fact remains than when an event shares a name with the a legendary prolific artist and the title of a song from a game changig contemporary artist and business man comparisons will be made! And as comparisons go this is one person’s opinion (mine) and it is based on person’s beliefs and experiences and do not reflect the… blah,blah, blah… You know the spiel.